Hard ball Hardball has variously been comp ard to The Bad News Bears and The right Ducks, but this film strives to be more than hard-hitting than all of those family-friendly, comedic efforts. A more apropos likening might be to Dangerous Minds, the flaccid, Hollywood-ized yarn of a teacher who makes a deflection to her underprivileged students. Hardball is most a reluctant baseball prepare who changes the lives of his pre-teen players even as they change his perspective on his avouch existence. The movie is on occasion trite, often formulaic, and frequently familiar. Surprisingly, however, at that place are times when Hardball displays many real heart, and that keeps it from world a complete waste of time. Keanu Reeves plays Conor ONeill, a gambling pilfer who is up to his neck in debt and hopeless for a track out. A high-roller friend of his (Mike McGlone) offers him a secondary source of income - he will pay Conor $500 per hebdomad to coach a baseball team of ch ildren living in Chicagos projects. A horrendous but unenthusiastic Conor agrees. At first, his turn up to coach is perfunctory, but, as he grows to know his charges, he becomes arouse in doing what he can for them.
His apparently genuine enliven in his eleven team members attracts the attention of the kids English teacher, Elizabeth Wilkes (Diane Lane), who finds herself worn-out to Conor, bumpy edges and all. Hardball is a sea of underdeveloped p flock elements. Theres a lot of rich material here, but director Brian Robbins uses it as minimize color. Take Conors gambling problems, for example - these are e xcept a plot device by which he ends up lea! rn the kids. When theyre no longer necessary to the story, the screenplay comes up with a air to quickly and effectively remove them. Then there are the... If you want to get a full essay, tell obscure it on our website:
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