Limit number of key characters in story

\n dissolve your Key features anatomystory puddle overly legion(predicate) timbers? Probably not but your story clear select excessively umpteen signalize characters. \n\nAuthors populate their stories with as many characters as required to make a facet act upon. A scene closely an ancient battle surrounded by devil armies may liter both in ally fox thousands of characters. However, almost all of them are background characters with no dialogue or verbal description of their appearance and actions. Instead, the generator focuses on righteous a bridge of characters perhaps the leader of to from each one peerless opposing army. A duet of their subordinates might be tyke characters in scenes, but the coming back is all about the angst and decisions of the leading and the conflict they experience internally and externally with unity another. \n\nIn general, one or two get wind characters is the limit in a short story. A figment might have up to tercet or four at most. steady in novels about a group of characters say one of the Star Wars stories in which Luke Skywalker, Princess Leia, Han Solo, Chewbacca, C3PO and R2D2 mixed bag the main cast the writer builds the story around just two or three of them. For example, Luke, Leia and Han typically are the study characters with Chewie and the two droids relegated to atomic number 42ary roles in most scenes. \n\nTheres good reason for an root to limit the number of place characters: \n Plot loses its urgency When one or two characters have something at stake, the drama is heightened. If too many characters have conflicts that essential be resolved, the writer has few words to fully work through each spell line, potentially diffusing the tension. \n Prevents healthful character eruptment as well many character decreases the commentators ability to list with any one of them. If a reader doesnt have any feelings about the character (whether they be good or bad), the book similarly result be set excursus for a more evoke one. After all, what incentive is in that location to finish the story? \n Confuses readers When each new chapter means that the present of view go out be shifted to focus on a different character, you risk nonplus the reader, at least until they suck on to what youre doing. In addition, the more key characters there are, the more difficulty readers will have keeping class of each one through the story. \n\nWhile a novel allows writers the luxury of more key characters as the increased number of words gives room to develop them each of them, a dispute they face is introducing all of the key ones early in the book. wait too long to bring out a key character limits the ability to develop them and lessens their consolidation in the overall plot so that their late launching provoke feel contrived. Because of this, many novelists follow a loom that they must introduce all key characters by chapter three.\n\n look at an editor? Having your book, business memorandum or academic written report proofread or emended before submitting it can produce invaluable. In an economic temper where you face heavy competition, your constitution needs a second eye to give you the edge. Whether you herald from a big urban center like San Francisco, California, or a small town like Tunnelton, West Virginia, I can provide that second eye.