Friday, April 5, 2013

How do any of the film-makers that you have seen, during the course of this module, make the cinema itself, their primary subject of investigation.

The experimental works of Michael one C and other experimental film-makers take aim the viewer to be of a certain intellect. The films to be full understood and appreciated should be placed within the stage setting of artistic production history, and more specifically modernism.

Michael Snow is one of the silk hat film-makers in his league. He is one of the worlds two most super acclaimed experimental film-makers alongside Stan Brakhage.

Michael Snow is not only a film-maker but he is also a highly finish visual artist, musician, writer, Sculptor, and composer. He is one of Canadas best-known living artists.

Michael Snow was born in 1929 in Toronto. He studied at the Ontario College of Art and had his first solo exhibition in 1957. Since accordingly his work has appeared at exhibitions in every major art centre in Europe and North America, and his films have been shown at film festivals in the United States, Australia, Japan, the Netherlands, France, Austria and Italy.

As an artist Michael Snow does not like to conform to what we would call normal in film-making and his other arts.

reckon an eye unruled by man made laws of perspective, an eye simple by compositional logic, an eye which does not respond to the expose of everything but which must know each object encountered in life through an adventure in perception.

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How many influence are there in a field of let out to a baby unaware of Green? How rainbows can light cause for the untortured eye?... Imagine a world before the descent was the word. Stan Brakhage 1963.

With inspirational words like these, most of the experimental film-makers were stressful to ask exactly the same questions in their films, film-makers such as Michael Snow. Why should he have to conform to normal motion-picture show standards for his films, if people didnt...

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