Relationship of Western Film Heroes with the Community
        In the genre of western films, the gunman plays a key role. In many films the American multitude have turned their attention to more constructive pursuits, much(prenominal) as battling nature to progress Americas future rather than to each one other. In between this wild country fraught with danger and foilion lies the role of the combatant. The hero is usually portrayed as an individual with exceptional skills who done their abilities rids a town of the corrupt elements that lurk from within. In many cases, however, the heros skills are not enough. His descent and interaction with the community serves as a marker to narrow how successful he will be. In the films Shane and High noontide with heroes have attempted to integrate themselves into their respective communities. This gives them a authority to position with the community, giving them incentive to defend their communities from elements which pose as a threat to them.
        In the film Shane, directed by George Stevens (1953), the hero tries to subtly integrate himself into his community. Instead of riding into town, Shane, (Alan Ladd) is perceived through the young and carefree eyes of a child.
By having Shane prime(prenominal) meet Joey Starret, (Brandon DeWilde) he is introduced in a personal way of sprightliness Shane is motivated through personal reasons. He desires a life free of controversy and war and hopes to live the life of an reasonable settler. The lifestyle of the Starret family and the other settlers amplifies the notions of a simpler life that Shane finds appealing. It offers a way for Shane to escape his past by lasting to create a simple yet honest community. Shane does not wish to govern the existence of the other settlers but join them and collectively work together. It is for...
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