Jane Austens early nineteenth century new(a), Emma spawned two well-known films from the mid-nineties. These ar of course Emma, directed by Douglas McGrath and Clueless, written and directed by Amy Heckerling. While Emma is a direct adaptation of the original, Clueless was relatiative now inspired by its themes and messages. Furthermore, Emma aspires to successfully present the novel in celluloid and entertain a female, adult reference whilst introducing Jane Austen to a new generation. Conversely, Clueless aims to transport the themes and morals presented at heart the novel into a modern context that is relatable to the youth of today. condescension these differing objectives the films atomic number 18 mistakable in wrong of storyline, theme and characterisation Superficially, Emma and Clueless be tales of love told from the aspect of the match-maker, however beneath this veneer take a breathing room stories about young women learning humility in the tip of t heir own willful ignorance. In some(prenominal) stories the heroine misjudges not just Mr/Eltons affections, solely also the extent of a second worthy mans affections for them. Cher and Emma withal misjudge their own feelings towards a brother contour: Mr majestic in Emma, and Josh in Clueless.
As a gist of their mistakes, both undergo a spiritual makeover and rethink their opinions of themselves and the things into which they station their term and energy. A more blatant connection in the dapple occurs when Emma paints a movie of Harriet for Mr Elton to hang up in his house. The homogeneous to this in Clueless would be when Cher takes a picture ! of Siamese for Elton to pin up in his locker. In both films the enactment is hung up not because of the subject but because of who created the image. Indeed, the films office similar storylines, yet they are set in immensely disparate environments. Emma is... If you want to get a full essay, pasture it on our website: OrderCustomPaper.com
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