Analyse two prescribed and related texts on how composers conform to the avenge Tragedy genre to guinea pig their context, purpose and style. In your say draw on your knowledge of the conventions of the genre.
Certainly a genre is dynamic, unruffled and subject to mutability over time. This is because it is adapted by composers to suit a particular context or cultural political theory or even the composers own ideology. Genre may to a fault change owing to political, social and economic factors. The genre of visit tragedy has continued to evolve over time because its groundwork of the universal timeless impulse of visit strikes responsive chords in society at large thus composers have invariably been drawn to this genre. Indeed, Euripides play Medea, Electra by Sophocles, Mel Gibsons Braveheart and Cyril Tourneurs Jacobean play The Revengers Tragedy argon all texts that manage to adhere to the fundamental conventions of the genre merely manipulate and redefine some conventions to reflect their contextual berth or give validity to their purpose.
Foremostly, the fundamental convention of the revenge tragedy genre is the thematic societal comment to ping the deficiency of the justice system in ensuring legitimate castigate which leads to social disorder.
Tourneurs The Revengers Tragedy criticises the political and social contexts of Jacobean England by picture the highest order (Duke who is the envoy of God) as lust aboundingy corrupt. Significantly, Glorianna, the name of Vindices deathlike betrothed, was a poetic nickname of Elizabeth I thus Tourneur reflects the Jacobean view where the succeeding court of James I was seen as endemically corrupt. Gloriannas physical dead presence casts a political rump over the drama suggesting the impossibility of finding justice inside the overtly corrupt social structures of the court. In the Greek play, Medea, it is the major power who supports Medeas degradation exhibiting social prejudice...
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